|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Customers who bought this item also bought: |
|
|
|
|
|
 |
 |
 |
|
Tracklist |
|
 |
|
1 |
Ingo Kantor - Vixen & The Constable |
|
 |
|
2 |
Jacques Denjean - Le Train Fou |
|
 |
|
3 |
Ray Brown - Polo Pony |
|
 |
|
4 |
Claudia Vita - Amame |
|
 |
|
5 |
Sounds Nice - Continental Exchange |
|
 |
|
6 |
Roland Vincent - L.S.D. Partie |
|
 |
|
7 |
Ray Brown - Coming And Going |
|
 |
|
8 |
De Giafferi - Sado Maso |
|
 |
|
9 |
Big Jim "H" & His Men Orchestra Of Rhythm - Mas Que Nada |
|
 |
|
10 |
Claudia Vita - Dr. No Piano |
|
 |
|
11 |
Dan Seepers Soul - Good Time Woman |
|
 |
|
12 |
Ray Brown - Go Down Dying |
|
 |
|
13 |
Clay Pitts - Caribbean Sunrise |
|
 |
|
14 |
Tony Sylvester - Pazuzu |
|
 |
|
15 |
Lil' Louis - French Kiss |
|
 |
|
|
 |
 |
 |
|
Review |
|
|
|
This compilation, presents a collection of easy listening, jazz, and film soundtrack cuts that have a loungeish edge to them.
It offers up enough intriguing oddities to satisfy lounge cultists. Subtitled "Family Affair Chapter One," this disc divides its time between psychedelic instrumentals drenched in all sorts of trippy sonic effects and subtler, Latin-styled tracks with a jazz feel to them. In the psychedelic arena, the best moments include "Pygar's Persecution/The Black Queen's Beads," a rare cut by Bob Crewe from the Barbarella soundtrack that pits easy listening horn arrangements against some wild fuzz-guitar solos, and "En Melody," a Serge Gainsbourg instrumental built on a duel between slashing electric guitar leads and some funky, serpentine basslines. In the easy listening corner, the top picks are "Lamento," a breezy Nelson Riddle instrumental that layers breezy strings and light horns over a gentle Latin beat, and George Shearing's easy-jazz instrumental version of "Aquarius," which recreates the song's melody via jazzy piano and vibes against a thick backdrop of Brazilian-styled percussion. Unfortunately, the two extremes never really blend together and this makes for some abrupt shifts in tone that make “Family Affair Chapter One” a difficult listening experience. There are also a few lesser cuts that could have been bypassed; the most annoying is Luis Enriquez's bizarre version of "Mas Que Nada," which veers back and forth between a straight rendition of the song and what sounds like drunken gibberish. Despite this problem, most of the cuts on this disc are entertaining and almost all of them are tough to come by. In the end, “Family Affair Chapter One” is not an ideal pick for the lounge novice, but offers more than enough rarities to please the seasoned veteran |
|
|
|
 |
 |
|
|
|
|