THE XX
I see you
NICK CAVE & THE BAD SEEDS
Skeleton Tree
RADIOHEAD
A moon shaped pool
KING CRIMSON
Three Of Perfect Pair
ADELE
25
ACHILLE LAURO
Ragazzi Madre
EDITORS
In Dream
THE LAST SHADOW PUPPETS
The Dream Synopsis
DROPKICK MURPHYS
11 Short Stotires Of Pain And Glory
YOU ME AT SIX
Night People
 
 
 
 
  THREE REEDS QUINTET
 
 
Across Two Centuries
Catalogue #: AMF 021
Date: 09-16-2016
Genre: Jazz
Label: Irma Records
1 CD

€ 10.90
   
 
   
  Tracklist
  1 Across two centuries (F.Benedetti)  
  2 Boo Doo (L.Konitz)  
  3 Pablo’s story (D.Liebman)  
  4 Like a monkey in a rocket (F.Benedetti)  
  5 Blue Rose (D.Ellington)  
  6 Brite Piece (D.Liebman)  
  7 Thingin’ (L.Konitz)  
  8 Blindfold test (F.Benedetti)  
  9 Caruso (L.Dalla)  
  10 Pendulum (R.Beirach)  
 
  Review
   
  The Three Reeds Quintet was born from three jazz musicians and instrumentalists reed that, who met nell'effervescente Paris eighties (Federico Benedetti there was a young student of Dave Liebman, Pratesi played in big bands that Benedetti ran, and he also shared different groups), they have decided to create this project, supported by the dramatic rhythm of Ghettos and Beggs. The album "Across Two Centuries" was realized with the support of AMF - Modern Music School of Ferrara and Bologna label To Be Jazz. Choosing the bold formula "pianoless" group, so no harmonic instrument, the "Three Reeds Quintet" definitely goes in the direction of the contrapuntal freedom of improvised interplay and exchange between members, and especially among the "three reeds "that they are the" front line ". The repertoire is heavily inspired by the group led by Elvin Jones Liebman who participated in the 70's (with Steve Grossman and Gene Perla on bass, blue notes historical record "Live at the Lighthouse" in 1972), and when the group plays a song, written by Liebman himself, "Brite piece". They are part of the repertoire compositions by Liebman, some of Benedetti, all in the style of "modal jazz" that developed in those years, and a couple of compositions by Lee Konitz, for whom "the three reeds" nourish a "cult" particularly . Instead of "tribute" to John Coltrane usual, often a must in concerts of Liebman, the quintet plays "Blue Rose" by Duke Ellington, considered the forerunner of the so-called "Coltrane Changes", showing how in jazz there has always been great consistency between tradition and innovation.
   
 
 
   
MARIO BIONDI AND THE HIGH FIVE QUINTET
Handful of Soul (Special Edition)
TIZIANO BIANCHI
Now and then
MASSIMO MINARDI M4TET
Heading North
GIUSEPPE MILICI
The Look Of Love
THREE REEDS QUINTET
Across Two Centuries
SANTE PALUMBO ORCHESTRA
Sway
JUREDURE'
La Triste Commedia
MARCELLO BALENA QUINTET
Journey
ARRIGO CAPPELLETTI, ANDREA MASSARIA QUARTETTO
Nuove Polifonie
MICHELE VILLARI
Boom boom
   
 
 
   
   
ELOISA ATTI
Everything Happens for the Best
GIORGIO ROSSINI QUINTET
Sguardi Jazz su Francesco Guccini
 
       
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Aut. SIAE n. 858/I/07-977
       
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